{"id":12255,"date":"2015-12-30T09:01:39","date_gmt":"2015-12-30T17:01:39","guid":{"rendered":"http:\/\/spijue.wpengine.com\/news\/bright-moments-of-2015\/"},"modified":"2015-12-30T09:01:39","modified_gmt":"2015-12-30T17:01:39","slug":"bright-moments-of-2015","status":"publish","type":"post","link":"https:\/\/www.juneauempire.com\/life\/bright-moments-of-2015\/","title":{"rendered":"Bright moments of 2015"},"content":{"rendered":"

This annual feature, which formerly appeared in the Empire\u2019s Arts section, is designed to celebrate creativity in all its forms. Each of the following lists of five memorable moments from 2015 presents just a tiny slice of the whole picture, as viewed through the words of one community member. Taken as a whole, the lists are reflective of a spirit of gratitude toward all those who devote their time, energy and talent through the arts, enriching our lives in the process.<\/p>\n

 <\/p>\n

Jane Lindsey, director, Juneau-Douglas City Museum<\/strong><\/p>\n

\u2022 The 15th Season of Evening at Egan brought us \u2018Assimilation,\u2019 a play by Alaska Native storyteller, teacher, playwright, and actor, Jack Dalton. Packed with potential, Dalton is on a steep curve to intellectualize and transfer the complex feelings of forced assimilation of Alaska Natives through the boarding school experience. Before the play begins we are advised that we must select seats based on our race. The play works to present the heartlessness of race supremacy as a Yup\u2019ik elder tyrant forces white assimilation into Native culture and dominates her peers who question this deficit of humanity.<\/p>\n

\u2022 Communities Disasters and Change, at the City Museum in November explored the theme of disasters and change, curated by the Valdez Museum to commemorate the 1964 Good Friday earthquake. This statewide traveling exhibit grouped 28 Alaskan painters, ceramicists, and mixed media sculptors in a charged exhibit demonstrating sophisticated depth of thinking around natural phenomenon, loss and change.<\/p>\n

\u2022 As an unabashed fan of the blues, I never miss Juneau, Jazz & Classics\u2019 blues artist. This year was a blues lover\u2019s fix with, Curtis Salgado. Salgado, a veteran performer and harp player gives it up with emotion and grit while maintaining vocal control and interesting phrasing in his original tunes. His musicians, who are also his back-up singers, were first class. My husband is still belting tunes from Salgado\u2019s CD \u2018Soul Shot\u2019 in the shower.<\/p>\n

\u2022 The October 2015 Clan Conference at Centennial Hall was an inclusive, stimulating and thought provoking gathering of scholars, elders, students and artists around Alaskan Native culture. Watching the elders balance and support each other in a relaxed environment as they mentored the youth in protocol was very special. Attending a session panel discussion led by Sergei Kan and Father Michael Oleksa on Richard Dauenhauer\u2019s Russian Orthodox faith and academic study of Tlingit language and culture was excellent thinking and reflection.<\/p>\n

\u2022 Perseverance Theatre\u2019s production of the \u2018Odd Couple\u2019 was a hoot. Seamlessly directed and staged, it was acted on a comfortable set that invited me into man camp. We were reunited with the well-known characters of the play and the universal rubs on the undercurrents of domestic relationships. Aside from the ease in whole-hearted belly laughs, the play prompts melancholy reflection on our enduring need to pursue and cherish friendship and coupling, warts and all.<\/p>\n

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Steve Henrikson, curator of collections, Alaska State Museum<\/strong><\/p>\n

\u2022 The contribution of a Chilkat Robe to the Sealaska Heritage Center by Texan George Blucker.<\/p>\n

\u2022 The Rasmuson Foundation\u2019s gift of several dozen works by contemporary Alaskan artists to local museums for their permanent collections.<\/p>\n

\u2022 The 2016 Tlingit Clan Conference, with its typically strong component of presentations on Tlingit art, language, and literature.<\/p>\n

\u2022 The restoration and re-installation of the Nimbus, under the supervision of renowned sculptor Robert Murray, at the Andrew P. Kashevaroff Building.<\/p>\n

\u2022 The opening of SHI\u2019s Walter Soboleff Center, and with it the unveiling of significant works of art by Haida, Tlingit, Tsimshian, and non-Native artists, and ongoing commitment to Native arts.<\/p>\n

 <\/p>\n

Peter Metcalfe, Juneau writer and photographer<\/strong><\/p>\n

\u2022 Community Potluck & Fun-Raiser: Local filmmaker Lisle Hebert received the equivalent of a Lifetime Achievement in the Arts award when several hundred of his friends, neighbors, and Juneau arts benefactors came together in mid-December to open their pocketbooks in support of his film project \u201cYuuyaraq: The Way of the Human Being.\u201d<\/p>\n

\u2022 First Lady Indigenous Readings: In late October at the Governor\u2019s Mansion, Donna Walker, First Lady of Alaska, hosted an evening of poetry and prose by Alaska Native writers. For me, the best moment was when two Tlingit scholars, Lance Twitchell and Ishmael Hope, joined Nora Dauenhauer to support her reading of the 1968 oration by Naa Tl\u00e1a (Jessie Dalton of Hoonah). The young men provided the responses \u2014 Gunalcheesh (thank you!), Aaa (yes!) and similar affirmations \u2014 and by doing so, they acknowledged the traditions of reciprocity, balance, and the upholding of elders.<\/p>\n

\u2022 Dedication of the Walter Soboleff Center: The speeches and performances during the mid-May event demonstrated for all the resiliency of Tlingit culture, and perhaps the most affirmative expression was Preston Singletary\u2019s installation of glass totemic screens in the facility\u2019s performance space \u2013 fusing traditional Northwest art with its most modern expression.<\/p>\n

\u2022 The Jones Family Singers: With their exhilarating blend of gospel, soul, and R&B, the group\u2019s first of May performance kicked off two weeks of musical entertainment for Juneau Jazz & Classics, and made for one of the most enjoyable, raucous, and inspirational performances I\u2019ve seen in years.<\/p>\n

\u2022 Skip Gray\u2019s Facebook posts: Every photo and GoPro video Skip posts has heart and soul. Not as well recognized as he deserves, Skip is one of Alaska\u2019s top photographers. His archive dates back to the late 1960s.<\/p>\n

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Laura Haywood, executive director, Juneau Symphony<\/strong><\/p>\n

\u2022 Duke Ellington: Last February, Juneau Cabaret and the Black Awareness Association teamed up to celebrate Black History Month with a soul food dinner and a musical program that featured the life and work of bandleader Duke Ellington. A small cast of local singers and musicians brought their considerable skills to introducing an audience of all ages to Ellington, one of the greatest American composers of the 20th century.<\/p>\n

\u2022 Juneau Fine Arts Camp: I learned about this Juneau institution by teaching there last summer. I provided young children with some polymer clay and a few tools and in return, I got to watch them create fanciful creatures, houses, nature scenes, self-portraits, and much more. I loved how they would burst in every morning and get right to work making whatever their imaginations dictated that day.<\/p>\n

\u2022 Troy Quinn\u2019s October concert: After a long year of trying out conductor candidates, the Juneau Symphony made its selection last spring. The new music director, Troy Quinn, is a unique individual with feet in more than one musical world. He is not only an accomplished young conductor, he is a popular studio singer in Los Angeles. His first concert, dubbed New Beginnings, was a joy. According to the Empire, one UAS student wrote of the experience: \u201cI loved every moment of being a part of the audience and feeling the sweeping music fill the auditorium and completely envelop me.\u201d We look forward to a great ride with our new young conductor!<\/p>\n

\u2022 \u2018Sweeney Todd\u2019 at Perseverance Theatre: I saw this show three times, starting with the very first preview. The show is a brilliant tour de force, layered with meaning as dense as the harmonies. By my last viewing in the final week, the cast and musicians had hammered the show into perfection. The music, actors, choreography, and set combined to create an entirely satisfying, if grim, emotional experience.<\/p>\n

\u2022 Juneau Alaska Music Matters (JAMM): This has to be the most exciting arts program in Juneau today. Lorrie Heagy of Glacier Valley School and her helpers are teaching children as young as 5 the joy of making music together. But the program is about so much more than music. It teaches children how to be responsible, joyful citizens as well as musicians. Watching the JAMM string ensemble sing to one another as they set up chairs and stands for a performance, and then tune their instruments to perfection, is as inspiring as hearing the music.<\/p>\n

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Jim Hale, Juneau writer and CCW contributor<\/strong><\/p>\n

\u2022 At the top of the list I have to thank our local treasure, Collette Costa, for the wonderful job she does at Goldtown Nick, bringing exceptional alternatives to Hollywood\u2019s usual sweepings and swill and making movie-going fun again. Thanks, Collette!<\/p>\n

\u2022 Also in Juneau, thanks to the Theatre in the Rough for their production of \u2018Henry V.\u2019 I understand that Aaron and Katie are taking a well-earned sabbatical from the stage. I look forward to seeing them mount the boards once again.<\/p>\n

\u2022 And thanks, of course, to the managing editor at the Capital City Weekly, Amy Fletcher. She has turned CCW into something people not only read but look forward to reading each week.<\/p>\n

\u2022 And chief among the pleasures of the CCW are the pieces by Brooke Elgie of Tenakee Springs. Whether it\u2019s wisdom or senility, we\u2019re lucky that Mr. Elgie doesn\u2019t keep it to himself.<\/p>\n

\u2022 And finally: although, strictly speaking, it was a political rather than artistic event, the Inaugural Ball for Governor Walker and Lieutenant Governor Mallott was a great, spirited night for music and dancing. I\u2019m a transplant from the Land of New Jersey, but every now and then I get a deep sense of Alaska\u2019s greatness. And so it was that night. Spirits were already running pretty high at Centennial Hall, but never higher than when the Lieutenant Governor leaped from the stage and joined in the moves of the Yees Ku Oo\u2019 Dancers. Wow. And then, later in the evening, Susu and the Prophets rocked the JACC, and we all danced our asses off, the Walkers out on the dance floor among us. A great night, a great event, a great state.<\/p>\n

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Richard Radford, Juneau writer<\/strong><\/p>\n

\u2022 The Gold Town Nickelodeon\u2019s Not-So-Silent Film Series: The Gold Town\u2019s recurring silent film shows with live musical accompaniment are always a good time. I missed a couple while I was out of town this summer, but managed to catch \u201cPeter Pan,\u201d the amazing animated film \u201cThe Adventures of Prince Achmed,\u201d and season finale screening of the epic \u201cThe Hunchback of Notre Dame\u201d with an equally ambitious score.<\/p>\n

\u2022 Never Alone (Kisima Ingitchuna): The puzzle platformer game with Inupiaq language and stories was released at the tail end of 2014, but I didn\u2019t have a machine to run it on until it was ported to the Wii U in June. Getting to play a video game with full narration in an Alaska Native language was incredible, as was seeing unlockable interviews with local artist (and the game\u2019s lead writer) Ishmael Angaluuk Hope on a Nintendo console.<\/p>\n

\u2022 The Opening of the Mendenhall Valley Public Library: As a Friends of Juneau Public Libraries board member, I was happy to help in my small way getting the final details together for the opening of the new library in the Valley, under the direction of Friends President Paul Beran. But getting to see this project, which was many years in the making, come to life and witnessing the new spacious quarters filled with people actually using it was remarkable.<\/p>\n

\u2022 Jack Dalton\u2019s \u201cAssimilation\u201d: I was fortunate to get a chance to see a staging of Jack Dalton\u2019s tense, ironic, touching, and occasionally funny dystopian play performed at the University of Alaska\u2019s Evening at Egan lecture series. From the immediate disruption of the dominant cultural expectations during the seating process to the chilling climax, this one has stuck around in my mind for months. This is essential theater to help better understand the colonization of Alaska.<\/p>\n

\u2022 Playboy Spaceman\u2019s \u201cSkull Party\u201d Halloween Show: I Playboy Spaceman.<\/p>\n

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Riley Woodford, Juneau writer and musician<\/strong><\/p>\n

\u2022 Gov. Walker\u2019s Inaugural Ball: Susu and The Prophets played the dance and the marimba band played a great opening set. I was anticipating obligatory speeches but Walker and Mallott were gracious, eloquent, funny and entertaining all the way around. The women were beautiful, the dancing unbridled and the festivities joyous.<\/p>\n

\u2022 \u2018What We Do in the Shadows\u2019 and Goldtown: Best vampire movie of the year, brought to us by the best art house cinema in Juneau.<\/p>\n

\u2022 Goldwing Concert and KXLL (360 North Concert Series): Clay Good\u2019s excellent band, thanks to Juneau Public Media.<\/p>\n

\u2022 Curtis Salgado concert: I remember this band from Portland in the late 1970s, with young Robert Cray. Still going strong. Thanks to Jazz and Classics.<\/p>\n

\u2022 Falltoberfest: AFF\u2019s Novemberfest reincarnate. Excellent local and out of town bands made for a weekend festival that included the Alaskan and the Rondy.<\/p>\n

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Geoff Kirsch, Juneau writer and CCW contributor<\/strong><\/p>\n

\u2022 \u201cThis is How it Really Sounds\u201d by Stuart Cohen: Stuart Cohen interweaves stories of three men with the same name who lead very different lives: a small-town Alaskan, once the world\u2019s greatest extreme skier; a despised New York financier laying low in China and a washed-up LA rock star. The section in which the skier chases down his teenage son in a blizzard rates as one of the most heart-pounding bits of writing I\u2019ve read in some time, if all-time.<\/p>\n

\u2022 Gastineau Strummers: Skeptical about the merits of art and music in public education? Check out the Strummers at Gastineau Elementary sometime. Developed by music teacher Patrick Murphy and ably coached by paraprofessionals Travis Croteau and Owen Cruise, the Strummers are an afterschool guitar-banjo-mandolin-ukulele band\u2026 with a bassist and a drummer, no less. A little noisy, sure, but these kids flat-out shred, leading a school-wide sing-a-long every Friday morning. They even let a certain Gastineau dad sit in with them on uke, even though he sometimes plays wrong chords.<\/p>\n

\u2022 Juneau Fine Arts Camp: This three-week arts-focused day camp also flat-out shreds, offering classes like Lotions & Potions and Recycled Orchestra. Hundreds of kids K-6 attend this camp, held at JDHS and put on by Juneau Dance Theatre. It\u2019s an excellent, well-organized and, quite frankly, pretty inexpensive program that keeps getting better every year. Of course, you wind up bringing home lots of junk\u2026 er, I mean \u201crecycled instruments\u201d and homemade \u201cGak.\u201d But you know they say: a life without homemade \u201cGak\u201d\u2026.<\/p>\n

\u2022 Tracy\u2019s King Crab Bisque: Juneau restaurateur Tracy LeBarge has turned a visqueen-walled shack into a burgeoning culinary empire, and it all started with this rich, creamy, crabby delight. I\u2019m seriously thinking about filling my Camelbak with it; that way I can hydrate myself with bisque all day long.<\/p>\n

\u2022 Stevie Wonder\u2019s \u201cSongs in the Key of Life\u201d Tour: Of all the things I\u2019ve missed since moving to Alaska in 2005 – family, professional baseball, Chinese restaurants that stay open on Christmas – Stevie Wonder in concert ranked at the very top. (He literally ended a 10-year touring hiatus the month after we left.) At long last, he happened to be in New York while I was visiting this past Thanksgiving. Mr. Wonder lives up to his name and then some – I\u2019ve never, seen a display of musical virtuosity like that, at least not live. His voice sounds just as buttery as it did 40 years ago, and he held out a note during a harmonica solo for about three minutes (my wife: \u201cClearly, there\u2019s a man who\u2019s never put smoke into his lungs\u201d). We gotta get him up here \u2014 him and his 30-piece band. Anyone with miles to donate?<\/p>\n

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Amanda Tatter Kulik Compton, Juneau writer <\/strong><\/p>\n

\u2022 Northwords Writer\u2019s Symposium in Skagway: This was a fabulous albeit intensive retreat. While mingling with national best-selling author Mary Roach, the keynote speaker, was a thrill, the major highlight was all the state talent present in the faculty. I left the symposium eager to read all their work.<\/p>\n

\u2022 Sitka Summer Music Festival: Formal evening concerts with pianists visiting from the feuding countries of the Ukraine and Russia, cello music on an ocean cruise…this was a summer treat.<\/p>\n

\u2022 Gustavus Disposal and Recycling Center: You can call it a dump but how this operation succeeds, how it is organized and the people that make it happen is a creative and caring force worth noting.<\/p>\n

\u2022 One Hot Mess: Libby Bakalar\u2019s blog addresses the joys and stresses of parenting, racial and gender inequality and popular social movements with a lot of wit and finesse.<\/p>\n

\u2022 Katie White\u2019s baked goods: Katie White presented a spread of gorgeous and delicious treats to accompany a jewelry exhibit at this year\u2019s December Gallery Walk. Candied lemon slices, tiered chocolate cake, this woman has serious skills.<\/p>\n

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Collette Costa, co-owner of the Gold Town Theater<\/strong><\/p>\n

\u2022 Not-So-Silent Film Series at Gold Town Theater. All humility aside, this is truly my most favorite thing that happens all year, anywhere, combining the brilliance of classic silent films and well-orchestrated live music.<\/p>\n

\u2022 Playboy Spaceman\u2019s Day of the Dead concert is the new gold standard by which all other local bands will be measured. Not just a concert, but truly a show, clearly choreographed, tightly played, perfectly executed, and fabulously outfitted.<\/p>\n

\u2022 Bobby Johnson\u2019s Gospel Workshop held every February is a moving and soulful celebration of the spirit that should not be missed by anyone.<\/p>\n

\u2022 Pink Martini with Storm Large, whose live show (hosted by Juneau Jazz & Classics) swept up everyone in attendance into their tightly-knit, effervescent swinging sound.<\/p>\n

\u2022 Premiere of \u2018Hunting In Wartime,\u2019 a new film by Samantha Farinella about Vietnam vets from Hoonah. Accompanied by the director and a panel of vets, elders, and other locals who helped on the film, it was an evening of great catharsis, telling a hard but necessary Southeast Alaskan story.<\/p>\n

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Dick Callahan, Juneau writer and CCW contributor<\/strong><\/p>\n

\u2022 MK MacNaughton\u2019s Community Giant Puppet build: Giant puppets have giant personalities.<\/p>\n

\u2022 Master carvers at the Soboleff Building: The smell of the wood. Artists at the top of their game bringing it alive a shaving at a time.<\/p>\n

\u2022 Rie Munoz\u2019 prints: Alaskan artist Rie Munoz passed away at 93 leaving people all over the world with much loved prints done in her clean, distinctive style.<\/p>\n

\u2022 Anna Roberts-Gevalt and Elizabeth Laprelle at the Goldtown Theater: Old-timey Appalachian ballads, banjo, fiddle and crankies (long, painted, scene tapestries scrolled by hand in a wooden box telling the story in time with the singer).<\/p>\n

\u2022 New Old-Time Chautauqua: Most fun I had at any event. Jokes, jugglers, aerialists, brass band music, clowns, many workshops. Great energy. Emphasis on building community.<\/p>\n

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Judy Crondahl, Juneau<\/strong><\/p>\n

\u2022 Mudrooms: This has grown from a cozy coffee house event to one that packs the entire space at Northern Lights Church, raising thousands of dollars for worthy local non-profits. At the same time the quality of stories told has improved from some good and some not so much to almost all at least entertaining or absolutely outstanding.<\/p>\n

\u2022 \u2018The Odd Couple\u2019 (Perseverance Theatre): the most entertaining show of the season, a 50-year-old classic that came across as modern as today.<\/p>\n

\u2022 The Chautauqua marching band added real sparkle and flash to the 4th of July parade.<\/p>\n

\u2022 Folk Festival, Juneau\u2019s spring bash and home-grown musical bacchanalia.<\/p>\n

\u2022 The Juneau Symphony\u2019s first concert of the season beginning the tenure of Maestro Troy Quinn.<\/p>\n

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Steve Quinn, Juneau writer and photographer<\/strong><\/p>\n

No need to look far to find compelling art and inspiring artists. Some do it full time. Others enjoy the hobby and perhaps pick up a few bucks. And some emerge once a year and make headlines for their work. Here are a few that grabbed and held my attention.<\/p>\n

\u2022 Photographer Chris Miller: For those who may have missed his latest exhibit at the Rookery, don\u2019t fret. Miller is certain to have another equally engaging look at our world\u2019s fishing industry, be it in Alaska or elsewhere. Miller\u2019s photos engage. They tell a story about a place and its people in ways that get others to care about the compelling, and often dangerous, work these people do.<\/p>\n

\u2022 Photographer Ron Gile: If there were ever someone who selflessly celebrates another person\u2019s photos as much as he shares his own stunning work, it would be Gile. He founded Juneau Photo Group several years ago and watched it grow to 7,000-plus members. He is as humble as he good with his Canon and generous with his encouragement. His nighttime photos are spectacular and make you want to stay up till wee hours to see the auroras he captures.<\/p>\n

\u2022 Wearable Art: While it\u2019s nothing new to Juneau or other Southeast communities such as Ketchikan and Sitka, it continues to fascinate those who attend and admire the work artists design from what ever is handy, or even possibly ready for discard. For many of these people hitting the runway with their wearable designs is the signature art for the year, yet it creates a lasting image.<\/p>\n

\u2022 Walter Soboleff Center: Sealaska Heritage Institute christened its new headquarters in May and it features works of the region\u2019s top Native artists: Preston Singletary, David Boxley and Robert Davidson. These are the permanent fixtures. The items in the gift shop reflect work of emerging artists are represent that initial step toward SHI President Rosita Worl\u2019s goal of having Juneau become the art capital of the Northwest Coast.<\/p>\n

\u2022 Tlingit artist Rico Worl: Last year Worl opened Trickster Co, quickly displaying his signature ski and snowboard designs on his walls. While Trickster features work from other Southeast artists, Worl\u2019s work found its way into the hands of President Obama and Secretary of State John Kerry. During their August visit, the offices of Gov. Bill Walker and Lt. Gov. Byron Mallott gave Obama and Kerry basketballs with one of Worl\u2019s Tlingit designs. Perhaps Rosita Worl\u2019s goal is off to a good start.<\/p>\n

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MK MacNaughton, Juneau artist<\/strong><\/p>\n

Three arts events that I really appreciated this past year were:<\/p>\n

\u2022 Body Vox \u2013 The Juneau Arts and Humanities Council brought this inspiring contemporary dance group to Juneau. This was my favorite performance of the year. They were beautiful, funny, inspiring, thought provoking.<\/p>\n

\u2022 Merry Ellefson\u2019s production of \u201cA Lifetime to Master\u201d was an important and powerful look at homelessness, mental health and substance abuse issues in Juneau. I appreciate the enormous commitment Merry made to years of interviews and connection to people in our community. I keep thinking about this play and the issues it raises.<\/p>\n

\u2022 Thanks to artist Sarah Davies and the 100 Stone Project for visiting Juneau. I volunteered to help make plaster body casts during Sarah\u2019s visit. The interactions between all ages on this project were intimate and joyful, which was a really effective way to connect a group of strangers around the issue of depression and isolation. I loved having the opportunity to help Sarah with the project for an afternoon, and I hope to see her final installation of pieces in Anchorage this year.<\/p>\n

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Emily Wall, Juneau poet<\/strong><\/p>\n

\u2022 \u2018Tidal Echoes\u2019 2015 journal and launch. \u2018Tidal Echoes\u2019 showcases art and writing from across Southeast Alaska. The 2015 journal featured the work of Ishmael Hope and Fumi Matsumoto.<\/p>\n

\u2022 Eva Saulitis sent me her new book of poems \u2018Prayer in Wind\u2019 and it\u2019s an outstanding book of poems. She is battling terminal cancer and these poems take an honest, beautiful look at the way she\u2019s living life right now.<\/p>\n

\u2022 The statewide Poems in Place project placed its last two poems in parks this year. I was on the board and able to lead a community workshop along with Jonas Lamb to help local writers submit to the contest. Juneau poet Aleria Jensen came to the workshop and the poem she drafted there went on to win this year\u2019s contest.<\/p>\n

\u2022 Ernestine Hayes gave a powerful Evening at Egan talk about her new manuscript and a call for everyone living in Southeast Alaska to learn more about indigenous ways of knowing and seeing the world.<\/p>\n

\u2022 Jeremy Kane has a new show at the Juneau-Douglas museum and it\u2019s fantastic. I\u2019m a fan of his mugs and was happy to see how much he sold at the show.<\/p>\n

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Dianne Anderson, Juneau artist<\/strong><\/p>\n

Editor\u2019s note: Juneau artists Dianne Anderson and Mark Vinsel were selected as artists-in-residence for a new program at the Gruening Cabin at Ernest Gruening State Historical Park. <\/em><\/p>\n

\u2022 The Gruening Cabin artist-in-residence experience for me was so positive that my art from now on will always have parts of the legacy: beams of and flickering light on the ocean or forest, bears eating berries, fish jumping out of the water and into fishermen\u2019s nets, herons posing in the pond or just reading Gov. Gruening\u2019s book that was penned there. Such inspiration- whether using realism or abstraction of feeling, this Alaska historical setting will always be with me.\u201d<\/p>\n

 <\/p>\n

Christine Carpenter, Juneau artist<\/strong><\/p>\n

\u2022 The opening of the Mendenhall Valley Public Library. I\u2019m partially biased, but I really think it\u2019s a beautiful example of how modern architecture fits in with our community. When you\u2019re inside the building, it really accentuates the natural landscape in which the building is nestled, from the trees, to the fog, to the mountains, to the glacier. And who doesn\u2019t want to cozy up next to a fireplace on a cool winter afternoon with a book?<\/p>\n

\u2022 Front & Franklin Street Renovation public meetings. Thanks to the Downtown Improvement Group\u2019s grassroots efforts of banding together to make a difference in our small community, the city started a project to focus on changing infrastructure along Front and Franklin streets. The extensive public meetings that have come from this project has brought up a lot more conversations than just the infrastructure, such as signage, public art, and historical district codes. These vocal meetings have shown me, and hopefully our entire community, that our community is not stagnant, but a living organism that is looking to change and collaborate with one another for the better.<\/p>\n

\u2022 The SLAM project. I have been working closely on the new exhibit development and design for the new State Museum. It\u2019s been a rewarding experience working with people like Steve Henrikson, Sarah Asper-Smith, Jackie Manning, and Ariel Rolfe. Because I am an Alaskan transplant, having moved here only four years ago, these people who are so heavily woven into the fabric of Juneau\u2019s art community have taught me an enormous amount about the history of Alaska through the museum\u2019s extensive collections. And I can\u2019t wait for the museum to be open to the public so they, too, can learn from these great resources. <\/p>\n

\u2022 Folk Fest. I\u2019m a sucker for live music. But beyond that, I love how every year the entire town bands together and becomes entranced with music and culture.<\/p>\n

\u2022 The rain. We\u2019ve had the wettest year on record, and we\u2019ve had a good time complaining about the weather here in Juneau. However, it still hasn\u2019t stopped me from getting outside and getting inspired by the environment (and, to be honest, by the number of people I\u2019ve seen on the trails, it hasn\u2019t stopped you either). We live in a rainforest, and while it\u2019s amazing when the sun comes out, the different shades of blue-greys that cloak the mountains somehow seem to belong in our landscape more than the yellow sun in the sky. And as an artist, I became heavily inspired by the colors, the smells, and the feelings that rain has evoked.<\/p>\n

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Kerry Howard, Juneau photographer and CCW contributor<\/strong><\/p>\n

\u2022 \u201cLetters Aloud – Private Letters Read in Public\u201d: An intimate look at personal lives. Captivating and intriguing and an experience I shared with my dear friend Justine Muench.<\/p>\n

\u2022 The Juneau Photo Group: A vision of Ron Gile that daily brings to over 7,000 Facebook members around the world, stunning photography of the place we are lucky to call home.<\/p>\n

\u2022 Northern Lights and Star Trails: A magical moment in time that I was able to capture late in the night of March 1st from Lena Cove (see photo above). Seeing the northern lights is always a gift!<\/p>\n

\u2022 Amy Fletcher and the Juneau Empire feature, \u201cArt in Unusual Places.\u201d I appreciate Amy\u2019s intuition to establish a regular photo feature that allows us to celebrate the beauty of ordinary things.<\/p>\n

\u2022 Juneau Jazz and Classics: A local institution that allows us to enjoy and applaud great musical artists and performances. Aren\u2019t we lucky?<\/p>\n

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Katie Bausler, Director of Public Relations and Marketing, UAS<\/strong><\/p>\n

\u2022 Pink Martini: The internationally acclaimed big band had the audience from the first note sung by the aptly stage-named singer Storm Large, who swept onto the Centennial Hall stage like a cyclone.<\/p>\n

\u2022 Woosh K\u2019s 2nd Annual Fundraiser at Rockwell: An evening of exemplary spoken word poetry (accompanied by good food and drink), performed by some of the most talented poets to emerge from the going-on five-year-old local phenom.<\/p>\n

\u2022 Rookery Exhibit of Chris Miller\u2019s Fishing Photos from Brittany France and Bristol Bay, Alaska: Miller\u2019s photos are works of art, stories told in the creased faces of fishermen and women on the front lines of one of the most exhilarating and dangerous professions.<\/p>\n

\u2022 \u201cSweeney Todd\u201d at Perseverance Theatre: This dark musical was well wrought and executed by a tight ensemble cast enhanced by perfect lighting and a pit of local instrumentalists.<\/p>\n

\u2022 Alaska Folk Festival Set with Alyssa Overby (washboard and vocals) from the Overby Family Band and Ben Gallagher (piano and vocals): The connection between these two performers was palpable, both musically and emotionally, from heart to art. Gallagher at times channeled Tom Waits.<\/p>\n

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Clint Farr, Juneau writer and CCW contributor<\/strong><\/p>\n

\u2022 Annie Bartholomew: When Andy Kline left KXLL, I worried about who could replace that voice \u2026 \u2018cause lets face it, Andy\u2019s got a big voice. Annie B took over the reins and I quickly became a fan. She has a unique, comforting cadence; something like an erudite surfer. That she continues the KXLL tradition of introducing Juneau to the best of modern rock, pop, and hip hop is all the better.<\/p>\n

\u2022 Jazz Fusion Dance Shows: At the end of a session of dance lessons, in December and May, the Jazz Fusion dance school puts on some of the most entertaining shows of the year at Thunder Mountain High School. Jazz Fusion showcases a lot of different dancing styles \u2013 jazz, ballet, tap – to high energy modern music. I\u2019m not a dance guy, but I really love this show. Which is good because my kid dances with them and I\u2019ve got to watch the show up to three times. I spend a fortune on roses.<\/p>\n

\u2022North Words Writing Symposium in Skagway: Every aspiring writer in Juneau ought to go to this thing at least once, probably twice. It\u2019s a great opportunity to sit and sip coffee with successful writers. Last year the keynote was national bestseller Mary Roach. This year, Pulitzer nominee Eowyn Ivey, author of The Snow Child, will be on faculty. Come on! You sit with these folks and you learn something. Go!<\/p>\n

\u2022360 North\u2019s Writers Showcase: KTOO\u2019s Scott Burton has put together a little gem of a show here. Local actors interpret local writers. It\u2019s a wonderful one-hour short burst of performance perfect for parents with the timer running on a babysitter at home.<\/p>\n

\u2022 Babysitters \u2013 I love that Amy Fletcher asks me to contribute to this year-end arts article, but I hardly get out anymore. What little time my wife and I do find is because of babysitters. So I just want to do a shout out for the babysitters of Juneau. You are rare and wonderful gems of youthful capitalistic endeavor. I wish there were more of you.<\/p>\n

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Sarah Maria Everett, Juneau theater artist<\/strong><\/p>\n

\u2022 Back to the Future Day, Oct. 21, 2015: This event was extraordinarily memorable, not only because of its mention in the Juneau arts community, but it was a world-wide phenomenon that was a once-in-a-lifetime golden date. The Gold Town Theater\u2019s Collette Costa and I set the theater up for multiple showings of the \u2018Back to the Future\u2019 Trilogy that week, with special appearances by Doc and Marty, to great success.<\/p>\n

\u2022 Perseverance Theater\u2019s \u201cOthello\u201d and \u201cSweeney Todd,\u201d both momentous productions that I was so blessed to have worked on this fall season as wardrobe\/costumer. The shows were star-studded with hard-working talented actors from New York and all over Alaska. And they blew local and Anchorage audiences away! For me as an artist, I grew and learned tremendously from participating on both shows. Perseverance Theater has such power here in Juneau for the theatrical arts. I look forward to more work with them this next year 2016.<\/p>\n

\u2022 KRNN and all the fantastic radio programming from KTOO\/KRNN\/KXLL, as always. Our public radio stations play a very important role in all the local arts and entertainment. Plus, I delight in being the DJ host for Thursday morning 8-10 am Crosscurrents, three years and going!<\/p>\n

\u2022 Centennial Hall Convention Center: I applaud my coworkers and staff at the hall for being able and willing to host all the fantastic events that come through the doors. From Folk Fest to the Public Market, Centennial Hall is where the biggest and best grace their artistic and business activities.<\/p>\n

\u2022 Juneau Lyric Opera\u2019s \u201cAmahl and the Night Visitors,\u201d a sweet very well-directed production that Amanda Filori kindly gave me the pleasure of stage managing and running lights for this winter. JLO sparkle onstage whichever performance they decide to do, and with spirit. With this show in honor of Christmas, they glowed at McPhetres Hall.<\/p>\n

 <\/p>\n

Katrina Pearson, Juneau publisher<\/strong><\/p>\n

\u2022 \u201cEd Ricketts from Cannery Row to Sitka, Alaska\u201d: This new book is a multi-collaborative project published by Shorefast Editions. It brings together science, history, memoir, and creative nonfiction by a collection of authors and features illustrations throughout by pen and ink artist Norm Campbell of Sitka.<\/p>\n

\u2022 Two Birdsalls at Annie Kaill\u2019s: Byron Birdsall, one of Alaska\u2019s best-known artists and his daughter Courtenay Birdsall Clifford presented work at a wonderful celebration and art opening at Annie Kaill\u2019s. Both artists featured work celebrating our Alaskan environments in both original watercolors and prints.<\/p>\n

\u2022 \u201cThe Truth, the Whole Truth, and Nothing but a Story,\u201d an evening with John Straley sponsored by the Friends of the Juneau-Douglas City Museum: John Straley spoke to a standing room only audience about writing history and how it deserves a well-told story \u2013 rich in detail, motion, and focused drama.<\/p>\n

\u2022 Shaped By the North: This 49 Writers sponsored panel featured authors Melinda Moustakis, Brendan Isaac Jones, Ernestine Hayes and photographer Ben Huff, and offered a lively and thoughtful discussion about how place shapes artistic work.<\/p>\n

\u2022 Juneau Cabaret: Juneau Cabaret continues to offer relaxed and fun-filled evenings featuring local accompanists on piano and drums and singers who offer their renditions of standards, show tunes, and jazz.<\/p>\n

 <\/p>\n

Amy Fletcher, managing editor, Capital City Weekly<\/strong><\/p>\n

\u2022 My favorite event of the year was the opening of the Walter Soboleff Building in May. The opening of this gorgeous contemporary building, with its three spectacular public art pieces by David Boxley, Preston Singletary and Robert Davidson, emphasizes our community\u2019s respect for the indigenous cultures of our region — Tlingit, Haida and Tsimshian — and the rich rewards of embracing more than one cultural viewpoint.<\/p>\n

\u2022 Northwords Writers Symposium in Skagway. A surprise highlight of this awesome event for me was the readings by fellow attendees — which included Juneau\u2019s own Clint Farr, Aleria Jensen, Amanda Compton and Richard Stokes, among others. (Clint Farr, please finish that fiction piece.) While I was there I also got to stay overnight in one of the Alderworks Writers Retreat cabins in nearby Dyea as the guest of Jeff and Dorothy Brady — an amazing new resource for writers and artists of all types. The Bradys are accepting applications for summer 2016 through Jan. 15.<\/p>\n

\u2022 Reading Stuart Cohen\u2019s \u201cThis Is How It Really Sounds.\u201d What I loved about this book, apart from the fact that it\u2019s a great story expertly told, is how life-affirming it is. Though part of the book is set in Juneau, some of my favorite scenes were set in Shanghai, where Cohen\u2019s imagery — fed by his extensive experience in that part of the world — and his themes about the shifting nature of reality and identity come together to produce passages of haunting beauty.<\/p>\n

\u2022 At the risk of unbalancing my list toward the literary arts, I also loved the poetry reading at the governor\u2019s house hosted by First Lady Donna Walker as part of the Tlingit clan conference. The poetry I heard that evening is still in my head — and, in the way of good poetry, now part of me; from Maria Shaa Tlaa Williams\u2019 beautiful image of her grandfather holding his language on his tongue like a net, to Nora Dauenhauer\u2019s reading of Jessie Dalton\u2019s oratory accompanied by Lance Twitchell and Ishmael Hope, both of whom also read their own poetry. Thank you, Peter Metcalfe, for inviting me to attend.<\/p>\n

\u2022 CCW contributors. So many great stories, so much care taken in getting them right. Working with these talented, conscientious regional writers and photographers has been a definite highlight for me. In addition to staff writer Mary Catharine Martin and photographer Michael Penn (who are both a joy to work with), this year\u2019s contributors included monthly standout feature writers Bethany Goodrich and Brian Weed, and regular columnists Jim Hale, Laine Welch, Kelly Moore, Jeff Lund and Randi Spray, as well as frequent contributors Richard Radford, Melissa Griffiths, Dick Callahan, Geoff Kirsch, Clint Farr, Brooke Elgie, John d\u2019Armand and many others; along with Arts in Unusual Places photographers Kerry Howard, Brooke Daly, Denise Carroll, Linda Shaw, Kenneth Gill, Suzanna Lessard, Bing Carillo, Bill Merk and others. Also, behind the scenes at the CCW, thanks to Scott Severance, Matt Wilkinson, Angelo Saggiomo, Jack Marshall and Stephanie West for all you do.<\/p>\n

Happy New Year!<\/p>\n

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 <\/p>\n

 <\/p>\n

BRIGHT MOMENTS FROM AROUND SOUTHEAST<\/strong><\/p>\n

 <\/p>\n

Kathleen Light, executive director, Ketchikan Arts Council<\/strong><\/p>\n

Editor\u2019s note: Kathleen Light sent an image to represent several of the council\u2019s favorite art things: \u2018Rain, Wearable Art, and photography all rolled into one.\u2019<\/em><\/p>\n

\u2022 This wearable art piece, created by Ketchikan artist Halli Kenoyer, was in Ketchikan\u2019s 28th Annual Wearable Art Show, \u201cWorld Beat\u201d. The image, shot by Marni Rickelmann on the cruise ship docks in Ketchikan, was taken on \u201cWear you Wearable Art to Work Wednesday\u201d, March 11, 2015. Three anonymous people wore Wearable Art pieces from the 2015 show, created by artists Kenoyer, Barbara Morgan, and Rhonda Green. They walked along Tongass Avenue in Ketchikan ..to work. About a mile. In the rain.<\/p>\n

 <\/p>\n

Jeff Budd, Greater Sitka Arts Council<\/strong><\/p>\n

My five would be, not in any order:<\/p>\n

\u2022 The Sitka Nutcracker Performance that is done every other year and spearheaded by Melinda McAdams of the Sitka Studio of Dance and lots of great community volunteers. What I like very much besides the music and the dancing is the wide range of ages of those participating in the different scenes, 2nd or 3rd graders to adults over 70 and some who have been in every one of the performances. It is a true Sitka classic event.<\/p>\n

\u2022 The Sitka Wearable Art Show and Runway Extravaganza, produced by the Greater Sitka Arts Council, in its seventh year in 2015. Thanks to Ketchikan for introducing the idea to the world, as far as I am concerned. This event, too, brings a wide variety of ages – babes in arms to over 70-year-olds – and everything in between to entertain our community and give a different type of artist an opportunity to shine.<\/p>\n

\u2022 The .Greater Sitka Arts Council\u2019s second production of the Sitka Version of the NPR Radio News Quiz, \u2018Wait Wait Don\u2019t Tell Me.\u2019 The shows had Juneau\u2019s own Colette Costa as a panelist extraordinaire. The writers for this show were the stars along with the on stage crew, again another opportunity for an art that isn\u2019t given many opportunities.<\/p>\n

\u2022 The Sitka Summer Music Festival started by Paul Rosenthal and now under the direction of Zuill Bailey (the artistic director) and Kayla Boettcher (the executive director) just keeps getting better. It has expanded to add classes of up-and-coming cellists and plans are afoot for other chamber music instruments classes. World class entertainment.<\/p>\n

\u2022 This Bright Moment in the Arts goes to the Sitka businesses who help sponsor so many of the productions and the Sitka audiences who are so welcoming, encouraging, and show up for all kinds of arts and cultural events in Sitka. Sitka, to my way of thinking, is the Paris of Alaska, no offense meant to all the other wonderful art communities.<\/p>\n

 <\/p>\n

Skagway Arts Council board of directors members Gary Hanson, Dottie DeMark and Donna Griffard<\/strong><\/p>\n

\u2022 On April 5, Metales M5 Mexican Brass quintet presented a magical concert in Skagway. Their name would suggest a mariachi type band but actually the musicians had a wide range of classical repertoire that they performed flawlessly without the benefit of any sheet music! One exciting moment came when the ensemble divided up and began playing in the audience from the four corners of the room. At a school assembly the next day, the students recognized several classical pieces taken from popular T.V. shows and movies. The kids also learned about the different types of brass instruments and the various sounds they can produce. Thank you Skagway Arts Council for bringing this wonderful group to town! — Gary Hanson- SAC Treasurer<\/p>\n

\u2022 Thanks to the joint efforts of the Municipality of Skagway and the Skagway Arts Council, this summer marked the beginning of many years of community interaction and entertainment in Skagway with the opening of the newly constructed Dedman Stage, a gorgeous outdoor venue located riverside at Skagway\u2019s Seven Pastures complex. The Stage was named to honor the late Barbara Dedman Kalen who dedicated many years of her life to promoting music in Skagway. Local talent was showcased at the Stage\u2019s first official event on May Day (May 1) when more than 20 local musicians filled the valley with hours of nonstop music. For the Stage\u2019s first professional presentation, the Arts Council chose a highly talented and extremely energetic Celtic rock group called Scythian. On the evening of May 8, Scythian had nearly everyone in the audience, young and old, on their feet dancing the night away. Skagwegians can look forward to years of fun and entertainment at their new Dedman Stage! — Dottie DeMark- SAC Vice President<\/p>\n

\u2022 Skagway folk have had the grand experience of watching two large outdoor exposed building walls transformed into a work of art over the spring and summer months. The mural is painted on corrugated tin buildings and depicts Skagway\u2019s gold rush history at the corner of Broadway and 6th Avenue. It has mesmerized both locals and tourists from start to finish! We are also honored to have the artist, Clayton Connor, as a new member of our board! — Donna Griffard- SAC President<\/p>\n

 <\/p>\n

Carol Tuynman, Alaska Arts Confluence, Haines<\/strong><\/p>\n

\u2022 Starting first Fridays in Haines with Joanie Wagner, owner of Skipping Stone Studios on Main Street, and having the opportunity to host the launch book signing for Where Eagles Gather by Joe Ordonez at the Art on Main Street gallery for the December First Friday<\/p>\n

\u2022 Working with 16 Haines artists and dozens of resident volunteers to conceive the idea for an ethnobotanical sculpture garden in the burnt out ruins of a Fort William H. Seward barracks building and collaborate with dozens of artists on storefront window art displays on Main Street, all thanks to the generosity of ArtPlace America Foundation<\/p>\n

\u2022 Gene Kennedy\u2019s outdoor sculpture \u201cRusty and his Cart\u201d dedicated at the Rasmuson Foundation 50th Anniversary board of directors visit to Haines, June 2015<\/p>\n

\u2022 Perseverance Theatre\u2019s exquisite production of \u201cSweeney Todd.\u201d<\/p>\n

\u2022 The Haines Borough Tourism Department adopting a new slogan: \u201cHaines, where art is an adventure and adventure is an art!\u201d<\/p>\n

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