{"id":21860,"date":"2016-01-20T09:01:08","date_gmt":"2016-01-20T17:01:08","guid":{"rendered":"http:\/\/spijue.wpengine.com\/news\/ccw-a-first-look-inside-the-slam-building\/"},"modified":"2016-01-20T09:01:08","modified_gmt":"2016-01-20T17:01:08","slug":"ccw-a-first-look-inside-the-slam-building","status":"publish","type":"post","link":"https:\/\/www.juneauempire.com\/life\/ccw-a-first-look-inside-the-slam-building\/","title":{"rendered":"CCW: A first look inside the SLAM building"},"content":{"rendered":"

From Willoughby Street, the Father Andrew P. Kashevaroff State Library Archives and Museum Building looks mostly finished, tempting passers-by with glimpses of an interestingly patterned wood ceiling through its huge second floor windows. But inside, it\u2019s a serious construction zone, humming with noise and activity as PCL Construction workers, specialty contractors, and SLAM staff busily fulfill their diverse roles in different parts of the building.<\/span><\/p>\n

During a recent media tour, SLAM director Linda Thibodeau, deputy director Bob Banghart and project engineer Jennifer Pepin of the state Dept. of Transportation and Public Facilities provided an early look at what Alaskans and visitors have to look forward to when the doors officially open in May. Here\u2019s a brief overview of what we saw.<\/p>\n

 <\/p>\n

FIRST FLOOR<\/p>\n

On first entering the building, visitors come in to the atrium, a dramatic high-ceilinged lobby that includes a new eagle tree and staircase at the far end, and a giant, detailed map of Alaska integrated into the floor. Overhead, a skybridge connects the second floor reading room on the left with administrative offices on the right.<\/p>\n

A small cafe sits to the right of the entryway, and, across the lobby, a store. Behind the store, along the front wall, is the new Science on a Sphere room, a purpose-built space tall enough to allow the sphere to be retracted toward the ceiling. (Developed by NOAA, Science on a Sphere is a three dimensional global display system that uses computers to project information onto a globe.) Also in the lobby area is an auditorium and a classroom.<\/p>\n

The museum\u2019s permanent gallery opens off to the left of the lobby. Immediately inside the exhibit hall doors is an orientation area and a section on Alaska\u2019s \u201corigins.\u201d A Tlingit clan house, set at an angle to the door, will introduce visitors to the Tlingit, Haida and Tsimshian cultures of Southeast. Constructed of hand-adzed cedar by a team overseen by Todd White, project manager on the Chief Shakes restoration project in Wrangell, the clan house will include a central (digital) firepit and soon-to-be installed drawers that visitors can pull out to reveal artifacts, as well as weavings and other at.oow<\/em>.<\/p>\n

Further along the exhibit floor are areas devoted to Athabascan, Yup\u2019ik, I\u00f1upiaq, Aleut and Alutiiq peoples. At this point the sole artifact in this area is a walrus-skin I\u00f1upiaq umiak, a 34-foot boat whose frame was built around 1920 by Jonathan Onalik in Wales. Pepin said the delicate umiak was among the last items to be removed from the old museum and the first to come in the new one.<\/p>\n

\u201cWe actually had to move in some of the artifacts before we finished building the (exhibit hall) walls, and that was one of them,\u201d she said, gesturing to the umiak.<\/p>\n

Along the back wall will be exhibits devoted to exploration and contact, as well as an area devoted to resilience, which highlights the fact that Alaska\u2019s indigenous cultures didn\u2019t fade out after contact, but rather adapted and found ways to thrive in a changing environment.<\/p>\n

Creative adaptive technology \u201cfrom the very beginning of man\u2019s inhabitance until now\u201d is one of the overarching themes of the exhibit floor, Banghart said, as is the idea of self-reliance.<\/p>\n

Around the corner from the resilience section are areas devoted to resource extraction and maritime history, respectively anchored by two major pieces already in place: a segment of the Alaska pipeline and a Bristol Bay double ender (a single-sail wooden fishing boat). The latter was shipped up from the Center for Wooden Boats in Washington state, and, according to the CWB, represents one of the finest examples of the work of the Davis family of Metlakatla. The double ender will be displayed with a new sail created by Ketchikan sailmaker Louie Bartos.<\/p>\n

Next to the maritime section are exhibits on World War II, political history, transportation and modern Alaska.<\/p>\n

In the center of the exhibit floor is the children\u2019s Discovery Room, which will include a brand new boat, currently in progress, and a vinyl floor featuring a mother humpback and her calf. The children\u2019s area is enclosed by a glass wall.<\/p>\n

Immediately adjacent to the permanent gallery are three spacious temporary galleries, where rotating exhibits will be shown. Banghart said the museum has not yet opened the application period for solo shows, but has a number of early exhibits planned, including the Alaska Positive Statewide Juried Photographic Exhibition and the All-Alaska Biennial.<\/p>\n

 <\/p>\n

LIBRARY AND ARCHIVES<\/p>\n

On the second floor, above the museum exhibit space, is perhaps the most dramatic room in the building, the Richard Foster Reading Room. (Former Rep. Foster, from Nome, was a frequent visitor to the state library and archives.) The reading room includes a soaring wood ceiling (now visible from the street) and huge windows overlooking town and the mountains. At the time of the tour, the library stacks had not yet been installed.<\/p>\n

Vibrant multicolored cast-glass panels, designed by Portland artist Walter Gordinier, have been placed at intervals along the interior, lobby-facing wall of the reading room, and are visible from below; Gordinier will soon have other pieces installed elsewhere in the building. At the back of the room, between the library\u2019s reading and research areas, a glass and wood panel by Ketchikan artist Evon Zerbetz will be installed. This will be Zerbetz\u2019 first piece in this medium. Gordinier and Zerbetz\u2019 artworks are two of the SLAM building\u2019s three Percent for Art pieces; the third will be nine hand-built benches created by Martin Shelton, yet to be installed on the mezzanine level.<\/p>\n

The library\u2019s research area, where visitors can request materials kept in the vault, will be shared by the archives department, which contains official government records going back to 1884. Here visitors can also request material from the Historical Collections department of the library. Both the archives and Historical Collections departments also contain photographs and audio visual materials.<\/p>\n

 <\/p>\n

AN INTEGRATED VISION<\/p>\n

In addition to the SLAM\u2019s public spaces, the building includes numerous \u201cback of house\u201d staff areas, including paper and object conservation labs, a micrographics department, electronic records area, and a wood\/metal shop that Banghart called \u201cthe best shop in town.\u201d<\/p>\n

\u201cWe can build anything short of thermonuclear devices (in here),\u201d he joked.<\/p>\n

SLAM director Thibodeau said in addition to working together on the physical building, the previously diverse departments of the state museum, library and archives have been learning to work together toward a common goal — a development that promises longterm benefits for both staff and the public.<\/p>\n

\u201cIt\u2019s been a real team-builder for us,\u201d she said. \u201cWe have a team that we didn\u2019t have when we started this and we\u2019ll have it when we finish. We won\u2019t just have a building, we\u2019ll have a more integrated vision.\u201d<\/p>\n

Banghart agreed, adding that perseverance is among the challenges of a project of this scale.<\/p>\n

\u201cIt\u2019s a difficult thing sometimes for people to grab ahold of a project and understand that it\u2019s a five year commitment to staying focused,\u201d he said. \u201cEverybody\u2019s tendency is to take it so far and then (think) \u2018I want to do something else.\u2019 But no, you\u2019ve got to stay on course, all the way to the finish.\u201d<\/p>\n

As staff and others prepare to share this major addition to Juneau\u2019s cultural landscape with the public, the energy in the building is palpably positive. Asked if the project was shaping up the way he envisioned, former museum curator Paul Gardinier, who has been working as a contractor on the design of the exhibit floor for the past three years, responded with a wide grin.<\/p>\n

\u201cEven better,\u201d he said. \u201cI\u2019m ecstatic with how it\u2019s progressing.\u201d<\/p>\n

\u2022\u2022\u2022<\/p>\n

The SLAM building is officially known as the Father Andrew P. Kashevaroff State Library, Archives, and Museum Building, named for the first librarian and curator of the Alaska Historical Museum and Library. The $138.4 million, 118,000 square foot facility is scheduled to have its opening on May 15, and an official ribbon cutting ceremony June 6. The project is currently on time and on budget. To read James Brooks\u2019 story about the SLAM tour, see Friday’s Empire.<\/p>\n

 <\/p>\n

FURTHER READING:<\/p>\n

\u2022 http:\/\/juneauempire.com\/art\/2015-06-24\/alaskas-most-controversial-sculpture-gets-new-home<\/p>\n

\u2022 http:\/\/juneauempire.com\/art\/2015-04-01\/eagle-tree-lowered-crane-has-landed<\/p>\n

\u2022 http:\/\/juneauempire.com\/art\/2014-05-22\/short-distance-many-steps<\/p>\n

\u2022 http:\/\/juneauempire.com\/art\/2014-02-27\/phase-change<\/p>\n

\u2022 http:\/\/juneauempire.com\/local\/2013-06-01\/highlighting-states-collections-designing-slam-exhibit-floor<\/p>\n

\u2022 http:\/\/juneauempire.com\/local\/2013-06-03\/slam-part-two-digging-deeper-states-collections<\/p>\n

\u2022 http:\/\/juneauempire.com\/local\/2013-06-04\/reaching-out-digital-access-states-collections<\/p>\n","protected":false},"excerpt":{"rendered":"

From Willoughby Street, the Father Andrew P. Kashevaroff State Library Archives and Museum Building looks mostly finished, tempting passers-by with glimpses of an interestingly patterned wood ceiling through its huge second floor windows. But inside, it\u2019s a serious construction zone, humming with noise and activity as PCL Construction workers, specialty contractors, and SLAM staff busily […]<\/p>\n","protected":false},"author":107,"featured_media":21861,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_stopmodifiedupdate":false,"_modified_date":"","wds_primary_category":7,"footnotes":""},"categories":[7],"tags":[74],"yst_prominent_words":[],"class_list":["post-21860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-life","tag-arts-and-culture"],"_links":{"self":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/posts\/21860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/users\/107"}],"replies":[{"embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/comments?post=21860"}],"version-history":[{"count":0,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/posts\/21860\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/media\/21861"}],"wp:attachment":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/media?parent=21860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/categories?post=21860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/tags?post=21860"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/yst_prominent_words?post=21860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}