Clear up misconceptions<\/strong><\/p>\nHaugland said many first-time Salsa dancers have fundamental misunderstandings about the dance.<\/p>\n
“They think people dance really close together, and that’s not true,” she said.<\/p>\n
Instead, those leading the dance were instructed to provide structure for their partners with arm tension somewhere between “a noodle and a tin man.”<\/p>\n
“People are also uncertain about its origins,” Haugland said. “It’s Caribbean.”<\/p>\n
Haugland said some may be unsure of the difficulty of Salsa.<\/p>\n
“As far as partner dances go, it’s medium,” Haugland said. “It’s easier than tango but more difficult than the waltz and swing.”<\/p>\n
Ditch the Xtratufs<\/strong><\/p>\nAttire isn’t a particular concern for Salsa dancing, Haugland said.<\/p>\n
She recommended would-be dancers wear something comfortable, but there was more specific advise for footwear.<\/p>\n
“I’d say wear comfortable shoes that slide easily,” Haugland said. “I discourage high heels.”<\/p>\n
When the class started, there were stacks of jackets and clusters of neoprene boots on the fringes of the dance floor.<\/p>\n
Keep pressure low<\/strong><\/p>\nOravsky said a lot of times, someone will start taking dance lessons because they have an upcoming wedding, or think dancing might be a good way to meet a new romantic partner.<\/p>\n
He said both motivations aren’t ideal, and the best way to approach dance is for fun without a lot of internal pressure.<\/p>\n
“Don’t focus on on doing it right, focus on whether you’re having fun, and dance through your mistakes,” Oravsky said.<\/p>\n
Find the beat<\/strong><\/p>\nSalsa dancing is based on an eight-count beat, and dancers step on beats one, two, three, five six and seven.<\/p>\n
“In Latin dances, the break step is what’s most important,” Oravsky said. “It’s when you’re not stepping.”<\/p>\n
Haugland provided dancers with some instruction for how to find and respond to the beat.<\/p>\n
“It’s about feeling it in the base of your body,” Haugland said during the class.<\/p>\n
She specifically mentioned the rib cage and hips rather than the shoulders.<\/p>\n
“If you’re not on the beat, the rest of your body can get funky,” Haugland said.<\/p>\n
Give it a try<\/strong><\/p>\nCox, an experienced dancer who was able to fill both lead and follow roles during Wednesday’s class, had simple advice for anyone who would like to give it a try.<\/p>\n
“Just show up,” Cox said. “Everyone’s got to start somewhere.”<\/p>\n
\n\u2022 Contact arts and culture reporter Ben Hohenstatt at (907)523-2243 or bhohenstatt@juneauempire.com.<\/b><\/p>\n
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