{"id":63560,"date":"2020-09-15T22:30:00","date_gmt":"2020-09-16T06:30:00","guid":{"rendered":"https:\/\/www.juneauempire.com\/news\/review-new-ep-is-slightly-rude-a-little-lewd-far-from-crude\/"},"modified":"2020-09-19T09:16:16","modified_gmt":"2020-09-19T17:16:16","slug":"review-new-ep-is-slightly-rude-a-little-lewd-far-from-crude","status":"publish","type":"post","link":"https:\/\/www.juneauempire.com\/news\/review-new-ep-is-slightly-rude-a-little-lewd-far-from-crude\/","title":{"rendered":"Review: New EP is slightly rude, a little lewd far from crude"},"content":{"rendered":"

It doesn’t take long for “Swears!” to live up to its title.<\/p>\n

An F-bomb is giddily lobbed by the third word of the EP’s opening track, “Blanket Forts (I Like You),” which has a tone and vocabulary consistent with the rest of the five-song effort from Juneau-based singer and songwriter Marian Call.<\/p>\n

That’s a good thing.<\/p>\n

“Swears!” is a ripping and gripping 12-minute collection of tracks that falls somewhere between power pop and pop-punk. The gruff language ensures lyrics can stay both observational and twee and sticky-sweet hooks can pile up without things becoming too saccharine.<\/p>\n

The EP’s calling-card pottymouth doesn’t seem exploitative or puerile. Its five songs have a sleek exterior and roiling interior life, and the vulgar verbiage fits.<\/p>\n

“Swears!” finds Call — and a crackerjack backing band known as the Guttersnipes — reckoning with the very real toll that comes with spending mental and emotional capital on current events. Political division, general societal shortcomings, mental health and the pandemic aren’t always the EP’s overt text, but they are the deep veins of frustration the music mines, so some cussing feels earned.<\/p>\n

Incidentally “Cuss!” is the title Call gave the “Good Place”-ed version of the EP, which features creative, radio- and office-friendly edits of the five songs.<\/p>\n

While the edits introduce some comedy — flippin’ is always a funny word — sanding down the cursing somewhat surprisingly doesn’t do much the nullify the EP’s sense of urgency.<\/p>\n