<\/a>Ben Hohenstatt \/ Capital City Weekly\n Max (Mike Rao) and Visarut (Phai Giron) look at a camcorder during a paranormal investigation during a rehearsal for Perseverance Theatre’s “production of The Brothers Paranormal.”<\/p><\/div>\n\t\t\t\t
Despite all that warmth, dark motifs are an undertow dragging characters toward their fates. For some characters, that winds up leading to something like contentment and hope. For others, it’s more ambiguous.<\/p>\n\t\t\t\t
“The Brothers Paranormal” is a rare piece to include multiple audacious twists and generally make them feel earned.<\/p>\n\t\t\t\t
If the play has a singular thesis, it’s that everything has an origin. “There is no new thing under the sun,” is quoted; cities and nations of origin are referenced extensively; and a not-insignificant amount of time is spent detailing the history of coffee. Anguish, hauntings and game-changing twists all have traceable beginnings in “The Brothers Paranormal,” too.<\/p>\n\t\t\t\t
So while it’s not uncommon for something in the horror genre to drop a stomach-dropping twist that comes out of nowhere, there are — in hindsight — some reasonable hints toward reveals and careful structuring guided by rules you only recognize after you know what game is being played.<\/p>\n\t\t\t\t
That refusal to indulge in cheap reveals makes sense for a play that includes dialogue extolling the virtue of Ella Fitzgerald on vinyl and coffee brewed in ways more complex than automatic drip.<\/p>\n\t\t\t\t
You don’t need a snobby sensibility to appreciate “The Brothers Paranormal” —the acting, a memorable plot, dynamic set and jokes take care of that —but if you are inclined toward pretentiousness the obvious craft and care is an extra treat.<\/p>\n\t\t\t\t
• Contact Ben Hohenstatt at (907)308-4895 or bhohenstatt@juneauempire.com. Follow him on Twitter at @BenHohenstatt.<\/em><\/p>\n\t\t\t","protected":false},"excerpt":{"rendered":"O, ‘Brothers’ scare art thou. <\/p>\n","protected":false},"author":474,"featured_media":82101,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_stopmodifiedupdate":false,"_modified_date":"","wds_primary_category":11,"footnotes":""},"categories":[11,4],"tags":[74,73,563],"yst_prominent_words":[],"class_list":["post-82100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-home2","category-news","tag-arts-and-culture","tag-ccw","tag-theater-review"],"_links":{"self":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/posts\/82100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/users\/474"}],"replies":[{"embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/comments?post=82100"}],"version-history":[{"count":0,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/posts\/82100\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/media\/82101"}],"wp:attachment":[{"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/media?parent=82100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/categories?post=82100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/tags?post=82100"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.juneauempire.com\/wp-json\/wp\/v2\/yst_prominent_words?post=82100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}